The Wire is a TV series by David Simon -and others.
I’m posting this because I don’t think enough has been said about The Wire.
Sure, it’s easy to see it’s praises being sung everywhere, but I’ve spoken with many people who have seen/read this praise and jumped in, often unable to make it halfway through the first series without throwing in the towel.
Maybe, I think, it’s because people have become weary of the kind of traditional tales that are set in “this environment” via the traditional media. Who needs more woe-begotten, hopeless stories with small sparks of over-gushing sentimentality? Not me.
Or maybe it’s because people see it as being “about a world I have no interest or involvement in”?
Thankfully, the Wire is about much more than that, if you allow it to take you through its story.
So what is it? What is THE WIRE all about?
I’d like to make some attempt at explaining why people should stick with it (if they have a difficulty) and to put a finger on exactly what it is all about -or at least give a general no-spoiler overview so as to enable you to decide if it’s something you might wish to devote your precious time to…
Continue reading What is THE WIRE all about?
A number of years ago a team of medical experts placed a camera in my anus to search for the source of my intense abdominal pain. They didn’t find anything.
A few years later they were back to search again. Afterward, the main doc was coming around to each of the examinees in turn, telling people they’ll have to come back for more tests, etc.. When he came to me he said “we didn’t find the possible source to your symptoms,” before adding lest I feel dejected, “…we found a polyp!” in an almost cheery manner.
It reminded me of that scene in Life Of Brian when a group of ‘terrorists’ hid in a small house and a full garrison of Roman soldiers marched in to search for them. They didn’t find anything, then left. A little while later they returned because there was some place they forgot to check. Following the lengthy entrance and exit, the garrison leader was expecting a positive find, but instead was informed “we found this spoon, sir!”
I do enjoy it when often totally unrelated events or circumstances remind me of something from a movie or book or painting or whatever.
Continue reading Somewhere in Time
I like movies. I like non-formulaic movies with at least a little thought in them.
I’ve heard good things about the movie Two Lovers -at least enough to make me think I might like to see it. I’m sure it is a good movie, but I won’t be going to see it.
I generally go to the cinema alone. I prefer it that way, but anyway my wife has little interest in movies even if we did get time off together.
So the thought of walking up to the ticket office alone and saying “Two Lovers please” is just too much. I could buy online and collect at the door, but I despise the idea of extra charges for such things -THEY’RE SAVING MONEY BY HAVING NOBODY THERE why should we pay more??
Another film I felt awkward buying a ticket for was “Michael Clayton”. Thankfully I hadn’t realised how awkward it was to say it until I was standing there with cash in hand saying it. It just felt wrong somehow. Not entirely sure why with that one.
Are movies with people’s names harder to say at the ticket desk?
I recall having a similar dilemma paying for Amelie. I think that might have a longer name in some countries (?) but around here it’s just called Amelie. The problem for me there though was the young couple who paid before me asked for two tickets to “Ay-muh-lee-uh”.
Even though I knew it to be wrong I had a sudden burst of …FEAR, is the only word I can think of, that I was about to say it wrong.
It induced a kind of mental stutter that heard me purchasing “One for the same please”.
Have you ever felt awkward saying something or someone’s name?
[By the way, this post was first made (by me) in a reply to a Jett Loe post in The Film Talk]
I’ve been thinking of cups. Well someone has to.
For the purpose of this discussion (and I hope you jump in) I will keep it down to just two types of cup: Those that are attractive to The Male and to The Female.
My first example is the shape most commonly found in every house that I’ve been to…
Continue reading Which cup is you?
What’s that you say? You’ve been looking for a film site that actually discusses plots and characters and motives and reasons behind certain events and behind-the-scenes type stuff and debates opinions on movies in a mature & lighthearted way, without invoking Godard and Bunuel and DW Griffith, etc. too often (if at all)?
Well then I’m sure you’ve already come across TheFilmTalk.com, but if not here it is with my blessing and recommendation.
Podcasts ahoy. Jett Loe and Gareth Higgins are very listen-to-able. They don’t always get it right in my opinion (for instance they both seem to like Slumdog Millionaire, although I’m fairly sure at least one of them will come to his senses after the dizzying effects of the whilwind editing wears off), but in their favour they both know Ron Howard makes bland crowd-pleasing, childish movies at best -and is best ignored if at all possible.
Stanley Kubrick once said
“The essence of dramatic form is to let an idea come over people without it being plainly stated. When you say something directly, it’s simply not as potent as it is when you allow people to discover it for themselves.”
The saddest moment in Schindler’s List (for me) is when people are being herded onto a train and told to leave their luggage -It’ll be sent on later. Then we see the luggage in a big heap being rifled-through/ burnt. That scene had me in tears -or as good as.
So is this the mark of a masterpiece? Something that can make a grown man cry? Onions do that to me all the time, but I still don’t stop chopping them to pieces and nobody thinks any less of me for doing so.
For me, Schindler’s List is like Barney.
Continue reading Schindler’s List -Barney in longpants
Ok, I admit it -I read the book and this film has little resemblence to it, but I’m really not one of those people who go around complaining that the movie is not as good as the book. I knew going in that it was different to “Q and A“. That didn’t bother me. I was looking forward to seeing the story being fixed in fact. The book had its faults, but really the only problems were to do with the “last act”. Besides the ending, the book was great. If they had filmed the book and fixed the ending it would have been a slower film, but it would have had class and it would have been brilliant. They could have introduced some alternative plotlines to speed it up somewhat, which wouldn’t have changed the tone, if they really felt they needed to. They didn’t.
Continue reading Slumdog Millionaire -cynical dreck
There are a few untouchable givens in the world of film
1. Schindler’s List is a masterpiece (which I disagree with too, but that’s not the point I’m coming to so let’s not go there just now).
2. You can’t criticise dire movies by the likes of Michael (“Armageddon”) Bay and Roland (“Independence Day” -which was actually quite good for the first hour or so) Emmerich because you are told “it’s just a piece of bubblegum -not meant to be taken seriously -leave the brain at the door”. My point on that is, how can anyone say whether they’re any good if their brains had been checked-in at the desk like shoes at a bowling alley?
3. Ridley Scott is a great director.
It’s number three I’d like to address here.
Continue reading Ridley Scott -one man’s opinion
Picture the scene: Sunday morning -enjoying a dozy rest in the comfort of my own bed, while the children play and fight noisily with each other downstairs, I casually look up to the light straining through the window.
Who do I see there, peering through his camera lens?
Why, it’s only the greatest film director of all time (in my opinion), Mr. Stanley Kubrick himself!
Continue reading THING -STANLEY KUBRICK IN MY CURTAINS!
Terry Gilliam’s BRAZIL might divide the opinion of viewers, but just why is it called BRAZIL?
Continue reading THEORY -Why the movie Brazil is called Brazil